Tuesday, July 19, 2011

What Caused the Final Death of the S.S. Admiral Today



The 5-deck steamer the S.S. Admiral is being towed to the scrap heap this morning. And my overwhelming feeling is sadness, profound sadness. But there is an analysis to be done here so I am going to roll up my sleeves and do it.

The Admiral was an art deco masterpiece. A river-cruising experience that St. Louis offered for decades that you couldn't get anywhere else in the world. My favorite of the five decks was the grand ballroom. I can still feel the air-conditioning hitting my body as I pushed into the ballroom through gold- and silver-studded leather swinging doors.

So, of course, the City Leaders are dropping the ball. This should prey upon the conscience of any City Leader of the last 35 years.

However, to be fair to said City Leaders, there were societal factors that precipitated its decline.

The one difference about the Admiral from other nightclubs and amusements was that even though there were anywhere from 2-4 thousand people on the boat at a time, you kind of got to know the the different groups of passengers by the end of the cruise. And if you got into a tiff with anyone (which sometimes happens with drinking), there was no GETTING OFF THE BOAT. You were stuck for four hours. Nor could the police *throw* someone off the boat. In addition, the boat was so huge, and had all that engine apparatus, ... therefore there were plenty of little nooks and crannies where "stuff" could happen. (Not liked the pre-laid out Nuremberg-like environment of today's concert halls like Riverport or the Pageant.)

Thus, when in the latter half of the 20th century there started to be fundamental disagreements about standards of dress, etiquette, profanity, tolerance of crime levels, drugs, etc., there were fewer and fewer people willing to commit to four hours on the boat with total strangers. Especially when you were being asked to pay a lot of money (which is what you really *ought* to pay for such a rich experience/plus what it must have actually cost the boat-owners to be able to maintain such a colossal ship).  The tidy sum that paid teh cost for a chancy Admiral experience could have paid for the cost of a consistent steak dinner at a land-bound restaurant.

Those of us who appreciated the utter beauty of the Admiral would have been happy to pay more, plus "deal" with our ship-mates come-what-may. But as for the vast majority of St. Louisans to whom the Admiral just a happy childhood memory, and who were ready to put off so-called "childish things", the freight was too much to bear.

Friday, May 6, 2011

Peabody Opera House at The Henry W. Kiel Auditorium

I don't like naming the old Kiel Opera house "Peabody" and especially don't like the use "The Peabody". "The Peabody" is the hotel in nearby Memphis with the ducks. It's also a Nashville college that merged with Vanderbilt. (Plus an Alex Chilton record label! (-: ).

The official name is "The Peabody Opera House at The Henry W. Kiel Auditorium" but "The Peabody" will be ultimately what it gets called because that's the way they call everything around St. Louis, for example, "The Touhill". I wish they had been more forthright and called it the Peabody *Energy* Opera House. But they tried to have it both ways (corporate yet swishy) ... and it just ends up being ... like a lot of things around St. Louis ... HOOSIER.

Friday, April 1, 2011

Industry Folks Dont Want To Commit on Rebecca Black.

I was listening to MJ morning show this morning and they had Simon Cowell on. MJ brought up Rebecca black but didn't ask Simon the key question: does he think she's good or horrible. There is this guy who is famous for saying people are horrible, how could MJ neglect to ask that question?. Unless Simon didn't want to be asked. Industry people don't want to commit to say she's good or bad. They want to "reserve all rights".

Meanwhile Radio's a Total Racket. And 'Friday' Proves It...

Rebecca Black = Duchamps.

Tuesday, March 22, 2011

Rebecca Black: A WAY better than average pop song, and a revolution to boot

So like millions of others, I tuned into Rebecca Black's "Friday" expecting to hate it.

You know what: I didn't hate it. In fact I liked it way better than most of the "modern pop" that washes ashore on my already overloaded musical plate. Liked it way better than Gaga, Train, Taylor Swift, Katy Perry .. you name it. It is something that I will probably watch again. Why? The utter lack of star-pretension. The acting like she and her friends are having a good time without really acting. The guilelessness of it.

And the fact that it was done for $2000 has the makings of a revolution. Finally a technology/business model made for Youtube: pre-written songs that you stop in and record at a shopping mall and if you like the result you can get a music video cut for as low as $2000.

Then you wait for all the viral stuff to happen .. if it happens. There is already one of these places in St. Louis called StreetDreamz at St. Louis Mills.

Thursday, December 23, 2010

The Lights off (South) Broadway

I will make my 2nd annual Holiday appeal to all my friends, clients and co-conspirators in the Arts to avail themselves of a driving tour of East-Central Lemay near the Mississippi River before it’s too late.

There is no display anywhere that comes close. If you are looking for a Wildwood McMansion festooned with lights designed by Himmler’s descendants, purchased in 2010 (and soon to be trash canned), this isn’t your place. But if you want completely idiosyncratic designs with often-ancient lighting sets carefully maintained by people too poor to buy new ones against a background of housing where no two homes are alike, plus narrow streets and close set-backs so that you can almost reach out and touch the displays … go thither. I will stack the denizens of Lemay up against the trendies in the Central West End, Benton Park, or Soulard for refined artistic sensibilities and pure right-brainism.

Although I have taken some iphone shots that I may post later, they do not really do it justice. However, I jotted down a few addresses of note:

318 Lenhardt
137 W. Cartwright
118 W. Cartwright

Thursday, December 9, 2010

Howard Stern Wimps Out

“One of the keys to the deal was Sirius would be distributed on other platforms, such as the iPhone, which hadn't been in place before.“.

You don’t need Sirius to “distribute” you to iPhone.

So even Howard doesn’t have the guts to dump Sirius. Had he gone straight to iPhone with his own app … that would have been the cutting edge move we expect from Howard. Instead, he played it safe. Took the guaranteed money. Booo! Now he has to worry about every mobile device app – available now and invented in the next five years - ripping Sirius off, and Sirius getting aggressive and suing Stern fans just like the record industry sued the fans of their artists in the 2000s.

If you are Howard Stern, you *want* entrepreneurs inventing apps out there for you. Or you want to develop an app yourself that better integrates the suggestion with the purchase. Right now on Sirius, it’s the same premise of radio that it was with Fibber McGee and Molly: “I might remember to go out and purchase Life Lock or I might not.” But what if a free trial of Life Lock was waiting for you on your Stern app, linked with your credit card, password-protected and encrypted in Safari?

Plus ... what about the show as a Podcast so that people could listen on demand? Wouldn't listenership increase? How important is that "live" feel? Most syndicated shows are delayed an hour or two anyway.

Howard Stern to stay with Sirius Satellite Radio; signs new five-year contract.